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How A Japanese Reality TV Show About Nothing Became A Global Hit. Even if you've never heard of the Japanese reality TV show Terrace House, you’ll recognize its premise: Six attractive young people live together in a house full of cameras. They fight, hook up, and talk behind each other’s backs. But on Terrace House, all this drama takes place at a much lower volume than it does on American reality shows. Sex, when it happens, stays off- camera and almost always follows weeks of Jane Austen–like courtship, complete with group- engineered alone time and formal confessions of love. Fights — if they can be called that, as they usually happen over inside voices at the dining room table — are just as likely to be about love triangles as about whose dishes are piling up in the bedroom. One of the show’s biggest conflicts, the so- called niku jiken, or “meat incident,” happens when several of the housemates eat the luxury beef one of their friends had been saving in the freezer for a special occasion.

The quiet fallout, which includes tears and threatens to break up the season’s first couple, lasts for more than one episode. Fuji Television. The original show, subtitled Boys and Girls Next Door, ran from 2. Watch Online Watch Kingsman: The Secret Service Full Movie Online Film on this page. Japan.“You're almost like, what am I watching? There's nothing here. I just watched 3.

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Japanese people being awkward — how do they make this into a show?” says Elliot Gay, a professional video game translator and Japanese pop culture blogger. But there's something whispering in your ear to keep watching. The lack of anything eventful almost made me want to keep watching to see if anything significant would eventually happen. You have these long stretches of quiet that, in a film or a TV show that's scripted, you would expect to eventually lead to a climax, but on this show, it's almost like it's all build, it's all tease, and you can't get enough of that tease until you get that tiny little moment.”In short, Terrace House is even more a show about nothing than Seinfeld was in the ’9. But since Netflix picked it up for a second run, it has slowly been gathering a cult following outside of Japan.

The show originally ran from 2. Fuji Television, and even spawned a feature film, before Netflix signed on as a coproducer to bring it back in 2. Subtitled Boys & Girls in the City, the first season on Netflix takes place in a fancy, minimalist house in Tokyo and runs for just over a year.

During that time, 1. The show may be gentle, but it's not exactly progressive: On top of the gender ratio, which takes for granted that all members will be straight, women also skew younger than men.).

You're almost like, what am I watching? There's nothing here. I just watched 3. Japanese people being awkward — how do they make this into a show?”. The first season’s cast includes a tap dancer, a hairstylist, an architect, a hat designer, and several models and actors. They range in age from 1.

They keep up their regular routines while they live at the house, which means we get to see them at work, confiding in non–Terrace House friends — and, once, having dinner with an ex, pleading to get back together. The weight of their dreams and the ordinariness of their lives is both inspiring and unbearable. Even as the house members break each other’s hearts and steal each other’s food, they mostly look out for each other, showing up for each other’s performances and helping each other through conflicts, which are often clashes of personality: Yuki, the ambitious tap dancer, badgers the more laid- back Mizuki about her career goals until she cries; or Natsumi, blunt bordering on callous, teases the sensitive Misaki in front of the guy she’s trying to impress. One of the most popular members of Boys & Girls in the City, Han- san, becomes something of a legend among housemates and viewers alike because of his mediation skills. He takes some of the edge off Natsumi, for example, gently holding her accountable for her actions while encouraging her to apologize. In the end, regardless of the drama, when each member leaves the house, it’s with a friendly and bittersweet send- off. This collaborative dynamic is not an accident of casting but a deliberate goal on the part of the producers.

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Terrace House pays particular attention to subtleties in the daily lives of the cast,” says Kaata Sakamoto, content manager at Netflix Japan and one of the executive producers of the current season of Terrace House. Instead of scandalous affairs, fistfights, or verbal abuse, you see more incremental changes in their relationships as well as their hopes and dreams beyond romantic pursuits.

To that end, you’ll also notice that the show abstains from using dramatic music and sound effects to emphasize conflicts. The show does use songs, which makes for a more easygoing viewing experience.”While an “easygoing" approach to reality TV might be new to Americans, it’s typical in Japan. Terrace House is definitely a window into the Japanese style of reality TV, which is less about creating drama and more about creating camaraderie. The American style of boxing up people in artificial situations until they explode simply isn’t done here,” says Matt Alt, whose company, Alt. Japan, produces English versions of Japanese video games and other media. A 1. 4- year resident of Japan, Alt also cohosts the NHK World show Japanology Plus and has written about Japanese pop culture for The New Yorker.

Don’t get the wrong idea that Japanese viewers are zombies. They just don’t get off on edgy, aggressive interpersonal dramas in the way Americans seem to.”The order and sweetness of Terrace House are major parts of its draw for audiences outside Japan. If conflict- based American reality shows provide a roller coaster ride of agitation, Terrace House is the kind of show viewers can turn to for a vicarious sense of accomplishment and calm. Minori eats the beef that sparks the niku jiken (top), and Yuki suggests that the women should do all of the cooking in the house.“I think with all the crazy politics in our country right now, it’s a nice respite, almost a suspended reality,” says Naomi Hirahara, a fan of the show and a mystery novelist whose six- book series, the Mas Arai Mysteries, follows an elderly Japanese- American gardener- slash- detective through the underbelly of Los Angeles. I don’t necessarily see it as an escape, but a time to rest my aching head and lick my wounds.